fazy
Original Paintings & Studies

Paint as a place to breathe.

Original works in acrylic, oil and mixed media — vivid abstractions built from colour, memory and the slow accumulation of marks.

New Series · Verdigris, 2026
Now Shipping · Worldwide
Mosaic painting in situ Latest 01 Tessera No. 4
Cyan lattice painting 02 The Rain Room
the studio
About · Chapter 01

A practice of colour, texture
and quiet attention.

"Structure balanced with spontaneity — depth, movement, and a quiet tension that holds the room."

Faezeh Jafarian is a contemporary artist based in Germany, working primarily in textured, abstract compositions. Her practice centres on the relationship between material and emotion — layered techniques and controlled imperfection creating surfaces that invite both visual and tactile engagement.

Working predominantly in acrylic and mixed media, she builds compositions that evolve through layers — each mark contributing to a final piece that feels both grounded and alive. Rather than dominating an interior, her paintings integrate seamlessly, adding a sense of calm presence and subtle complexity.

— Faezeh
Artist, Founder
Emerald painting gallery view
Thicket, 2025 · studio view
Chapter 03 · In Situ

Lived-in, at home.

A painting changes depending on the light, the wall, the people. Here's how recent works have settled into homes.
Chapter 04 · The Journal

Notes from the studio.

04
Recent entries
Featured essay — Tessera series
Process · Featured

On painting what you cannot quite name

A slow essay on the impulses behind the Tessera series — how a palette of twenty colours narrowed itself into seven, and why the painting is almost always finished before you think it is.

Mar 14, 2026 8 min read
Read the essay
The quietest blue I could mix
Studio Notes

The quietest blue I could mix

Cerulean, phthalo and a touch of ivory — on the pigment combinations that show up again and again.

Feb 28, 2026 · 5 min
Thicket residency
Exhibition

Thicket — a two-week residency

Fourteen days painting only greens in a borrowed farmhouse. What it did to my eye, and what I brought home.

Feb 02, 2026 · 6 min
Why I stopped varnishing
Materials

Why I stopped varnishing

A quiet argument for the mattness of unsealed acrylic, and the honesty of a surface that keeps its breath.

Jan 18, 2026 · 4 min
A letter from the studio, once a month.
New work, new writing, and the occasional early-access list before pieces go public. No more than one email a month.
Chapter 05 · Contact

Let's make
something together.

Available for original commissions, editorial features, and gallery conversations. Every enquiry gets a hand-written reply.

Start a conversation